Identity, editorial and exhibition design for people who make things in public.

I work with festivals, publishers and galleries — mostly small organisations with a fixed budget and a real deadline. The work tends to be one colour, printed by someone I have met, and built so that whoever inherits it can keep using it after I have gone.

Projects usually start with a week of looking at what the organisation already has: the signage nobody replaced, the spreadsheet the programme comes out of, the way people describe it in the pub. More about how I work.